This spoken word, folk rock album is the third part of the project dubbed the Three Queens Trilogy.

This album is structured almost like a play in multiple acts, visiting the lives of different people and recounting their experiences as "Magic" the dog guides the listener along.

Jane: vocals, main guitar and piano, other instruments by way of keyboards

vocals: Catherine Russell, Marlon Saunders

angels: Amy Ziff, Alyson Palmer, Sandy Kugelman, Jacob Switzer, Ingrid Veninger, Hallie Switzer, John Switzer, Paige Escoffery Stewart, Ruby Salvatore Palmer, Scarlet and Gracie Whitmarsh Schneider, Kristi Ambrosetti, Darren Waterston, Elaine Bradlwwwey, Catherine Russell, Marlon Saunders

on the song We Could Have Been Great Friends: Billy Jay Stein horns (on keyboard)

on the song Imagine A World: John MacArthur Ellis guitars, pedal steel Rich Brown bass Pauline Kim violin, viola Christine Kim cello Niko Friesen drums

Jane Siberry's Bound by the Beauty, released in 1989, is a classic pop album with country and jazz flavours. It bounces and rocks along like a train ride and feels like the kind of being in love that leads to empathy and universal love. In "Everything Reminds Me of My Dog": sunsets remind me of my dog/Gina go to your window/Einstein reminds me of my dog/I want to pet his fluffy head. In "Hockey", a Sunday game on the river is nostalgia, present and future, all at once: he'll have that scar on his chin forever/someday his girlfriend will say 'hey where?' "The Valley" offers comfort for a dark time: sometimes you feel all that you wanted/has been taken away/you will walk in good company. In "The Life Is The Red Wagon", Jane sings out that 'good company': but when the feet are dragging you pull for me/and I pull for you, you pull for me and I pull for you. The opening title song could serve as Jane's manifesto: I'm coming back in 500 years/and the first thing I'm gonna do/when I get back here/is to see these things I love/and they'd better be here, better be here.

Musicians Jane Siberry - guitars, piano, vocals Teddy Borowiecki - piano, accordion Ken Myhr - guitars John Switzer - bass, vocals Stich Wynston – drums

Additional Musicians Wendell Ferguson - pedal steel guitar
David Piltch - acoustic bass David Ramsden - vocals Rebecca Jenkins – vocals Anne Bourne – vocals Gina Stepaniuk - vocals Cherie Camp – vocals Don Freed - vocals

Jane Siberry's The Walking, released in 1987, is a cinematic progressive pop album. Its setting is liminal space, an autumn between leaving a relationship and arriving elsewhere. The soundscapes lead us into our musical narrator's experience, grounded in the intimacy of Jane's poetry and voice. There are no conclusions but explorations. Seeking solace in parallels in The White Tent the Raft: and the tears streaming from the mind's eye / streaming back beyond the white sheets that flap and fly. Retelling a story over and over, in search of congruence, in The Lobby: and they say "this is your darkest hour" / this is my finest moment. In Ingrid and the Footman, it is reframing identity; our narrator creates a character, to fit the new story developing in her wake, and casts herself in the musical chorus rather than the lead. There is the chill of feeling incapable of taking the next decisive step in Lena is a White Table: well, maybe she should go to school / no, no. she's a table / Lena's a white table. The Bird in the Gravel offers eventual surrender: I love the bare branches / I love the healing bells / the bareness in the last sun /the greyness and the gold.

Musicians Jane Siberry - vocals, guitars, piano, keyboards, backing vocals, bells Al Cross - drums, percussion, tambourine, backing vocals Anne Bourne - piano, organ, keyboards, backing vocals John Switzer - bass, tambourine, percussion, backing vocals Ken Myhr - acoustic guitar, electric guitar, backing vocals

Additional Musicians Rob Yale - keyboards Wendell Ferguson - electric guitar David MacVittie - backing vocals Bob Blumer - backing vocals Rebecca Jenkins - backing vocals Gina Stepaniuk - backing vocals Cherie Camp - backing vocals Sarah McElcheran - trumpet Steven Donald - trombone

Jane Siberry's The Speckless Sky, released in 1985, is classic progressive pop. “One More Colour” opens with the question: “is it lasting?” / and in asking / the sphere becomes a line. While “it” lasts, Jane wishes the same joy and fråeedom for all. Of a prisoner in “Seven Steps to the Wall”: he wants to write something down / he wants to sing a song or paint something. In “The Very Large Hat”: up there somewhere / a great band is playing / they're hot—everybody's hot / everybody's dancing tonight. Mid album, soundscapes balance urban superficiality with poetry that calls to our humanity. In “The Empty City”: life is a tall white building / lifting from the silent earth / it's carrying a message / carrying it away. “Map of the World (Part II)” feels like finding home in motion: I run along the dotted line / and I grab my flapping dress—whee / and the global winds rush past me / shouting—this is happiness. In “The Taxi Ride”, love is a strange thing / it depends what one gives / and sometimes to give means / give someone away.

Musicians Jane Siberry – vocals, keyboards, guitar Al Cross – drums Anne Bourne – keyboards John Switzer – bass Ken Myhr – guitar, guitar synth Rob Yale – Fairlight CMI programming, keyboards

Additional Musicians Teddy Borowiecki – accordion Sarah McElcheran – trumpet

No Borders Here, released in 1984, is Jane Siberry's second album and her breakout. It is progressive pop that uses the techniques of the genre, such as syncopation, to lightly make its points. There are surprises, including the intros and spoken words. Jane, the musical poet narrator, explores youthful life - working as a waitress, experiencing freedom in dancing class, and trying to chat with an image-conscious sales executive. (he took a course in sales / he's never been the same) There is also love: lost in "You Don't Need, elated and understanding in "I Muse Aloud", free and encouraging in "Follow Me". The curious beach observer of "Mimi on the Beach" seems to be encouraging all of us to have more of a backbone, then and now: wait for the waves to start building, for the valleys to deepen / and the mountains to increase in height / when the right times comes, Mimi / you lift yourself up and stand there, Mimi / and see as far as you can see / stand up, Mimi, stand up Mimi, stand up . The urgency of time is felt through nature in Map of the World, Part 1: the pines that line the road / sad quotations / and see-through fingers / sigh / and my steps divide the clearing in half.

Musicians Jane Siberry – guitar, keyboards, vocals Al Cross – drums, percussion, LinnDrum Ken Myhr – guitar John Switzer – bass, percussion

Additional Musicians & Technical Jon Goldsmith – keyboards Doug Wilde – keyboards Rob Yale – Fairlight CMI programming